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INDIA'S
LADAKHIS LOOK TO MUSEUM, SCHOOLS TO PROTECT CULTURE
AFP, Thu
Jul 19, 2:50 AM ET (Text: AFP/Tripti Lahiri; Photos: AFP/Manpreet
Romana)
HEMIS,
India (AFP) - With a new museum in the revered Hemis monastery and
more schools teaching its history, India's Ladakh region hopes to
protect a culture that many fear is changing rapidly as tourism
booms.
Tens
of thousands of tourists flock each year to the "Little
Tibet" in the far north, an area noted for its stark mountain
landscapes and summer festivities at the Buddhist monasteries
dotting the province.
Last
year 40,000 tourists, including about 26,000 foreigners, visited the
province.
"Things
have changed quite a lot in terms of values, traditions,
culture," Jigmet Wangchuck Namgyal, of the Ladakhi royal
family, told AFP at the museum's inauguration Wednesday.
"I
think the main driver at the end of the day is tourism."
Namgyal,
who would be king if royal titles had not been abolished decades
ago, said the sudden influx of cash and interaction with outsiders
was leading people to adopt different lifestyles.
"People
do copy. A group of backpackers come and they have different values
and it's a small community so it does have an effect," said
Namgyal, who heads a cultural preservation group.
To
provide a counterpoint to the impact of tourism, Ladakhi community
leaders are restoring and displaying ancient Ladakhi artifacts --
some of which are in a state of terrible disrepair.
"We
keep Ladakhi religious paintings and statues in boxes," said
the Gyalwang Drukpa, head of the 800-year-old Buddhist Drukpa sect
that founded Hemis monastery in the 17th century.
"To
show respect we should take these things out for people to
see."
Conservationist
Tsewang Phunchok hopes the old manuscripts he began restoring two
months ago will eventually be catalogued and used by Buddhist
researchers.
"Seepage,
fungus, mice," said Phunchok, reciting a litany of the ills
affecting the 400-year-old manuscripts that were heaped in a dank
and dusty room.
Tsewang
Rigzin, a monk at the Hemis monastery, estimates the collection
includes about 2,500 thangka paintings dating back to the second
century, as well as some 1,500 statues.
"We
have maybe displayed one percent of the collection," he said.
Ladakhis
crowded the museum in the afternoon, bowing their heads before brass
and gold statues and scores of embroidered silk tapestries depicting
the life of the Buddha.
The
Drukpa spiritual leader has also expressed his concern about the
adverse affects of interaction with tourists on Ladakhis.
"You
should be adapting yourself as a tourist to Ladakhis, not the other
way," he told AFP, adding that education could help locals
decide better what they should adopt or reject from outsiders.
But
until recently, schools did little to promote the local culture
among the province's population of 260,000.
Ladakh
is nestled high in the Himalayas and is a part of India's Jammu and
Kashmir state, where the official language is Urdu, so primary
education took place in a language that none of the children speak
at home.
At
age 14 they would switch to English, the result being that 95
percent would fail school-leaving exams two years later, local
officials said.
Those
who could afford it sent their children to boarding school in
neighbouring states. The result is that some of the best-educated
young Ladakhis now converse more comfortably in the national
language Hindi.
Rizin
Ladol, 26, a history teacher at the Central Institute of Buddhist
Studies, can not read or write in the Buddhist script.
"There
were no good schools at the time," said Ladol, who spent her
school years in India's Punjab state. "But the biggest
disadvantage is that we have a certain aloofness from our
culture."
In
the last decade, with a push from an education reform group started
by local students, more primary education has come to be conducted
in English and the pass rate has risen to 50 percent.
"If
you have a true education you will know how to draw the line,"
said the Drukpa spiritual leader, who six years ago founded the Druk
White Lotus school which includes Ladakhi and local dances in the
curriculum.
But
one Ladakhi scholar said concern about the state of the culture may
be exaggerated, even if some young Ladakhis seem more interested in
"money, technology and cars" than thangka paintings and
statues.
"Maybe
if it is dying or half dead" you need to worry, said Ladakhi
scholar Tashi Rabgais, as crowds of young monks and villagers
thronged Hemis monastery.
"It
is a living culture. There's no need of preservation. There is a
need to adjust it to accommodate the new culture."
©
AFP |